Tuesday, August 21, 2012

Cī-bər (image)


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Cī-bər (image) by Ms. M (pseudonym) is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Permissions beyond the scope of this license may be available at blogspot.com.


Cī-bər (image) by Ms. M (pseudonym) is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.

Do Angels Sing Copyrighted Songs?

I had a discussion with a knowledgable adult male about the Internet.

I mentioned that I am the type who would use labeling, like placing 'copyright protected' labels, or a copyright symbol on my poetry.



I justified this by compairing online 'writer communities' to 'group living' amongst YOUNG (yet good-looking) single people.

When I lived in a household with hungry guys, I would label my food.

IMO, this action is like labeling a new bag of Doritoes with a label that would read :





My Property - DO NOT EAT! [signed, the writer]or

IF YOU EAT MY FOOD -- YOU WILL PAY ME (I am not a free grocery store!)


IMOpinion, labeling objects is a way to let innocent people know...THIS IS NOT Community Property...The owner is claiming this object...you can't just do what you want with my stuff!



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Dancing Near The Fire (4-part poem) by Ms. M. Dews (pseudonym) is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.


Link to "Dancing Near The Fīyər": Another Blog (with rules): http://m-thereaderschallengepromise.blogspot.com/


Tuesday, April 3, 2012

Part II: Copyright Or Don't Copy At All.

To Copyright More Or Tu Copy Right Less?

(Part II of this Blog series about copyright restrictions.)




Are Copyright Restrictions More Restrictive?

I did my own personal research using the books in my
'ho-mah lī-brair-ry'.

I noticed changing copyright information and restrictions.

In a book by A. Haley and Mr. M. X, printed (I think) around 1964, the book's copyright information mentions the rights of the publisher, reserved under International and Pan-American Copyright Conventions. Other than publishing information [published by a division of Random House Inc], the only other information mentioned was about the cover of the paperback book...for some reason, if the book did not have a front cover, than according to the print, the sale of the book may have been unauthorized.

It is implied that a coverless book may have been reported as damaged...with neither the author, not the publisher receiving payments for the 'damaged but sold' book.

I remember working in an Independent Bookstore.
The manager instructed volunteers to remove the cover of the unsold magazines or journals.
I was told the publishing company did not want to pay for the return of the unsold magazines, (think weight), yet the publishers wanted to know the total count of the unsold magazines...the manager was suppose to (I believe) resend the magazine covers of the unsold magazines back.

Since people (especially book-lovers) spent hours looking through the magazines, I doubt stealing was what the average person, with hours 'to kill,' was planning.

Volunteer bookstores (that I have worked in) are closer to a 'commie library' than a real bookstore with books to sale, profits to make and people to keep employed.

[ BTW - By the way, I never sold a damaged and month old magazine to any person.]

In a book pulished, I think, around 1982, the copyright information is scant. It had the same 1 sentence I read before (in the book published around 1964). The Authors and Publishers rights are reserved. This information was followed by publisher information.

The Publisher's Note included  information I had read before when watching a film or movie...

  This [media] is a work of Fiction...
The Publisher stresses the imaginative work of the writer or creator in creating names, interesting characters, or imaginary places.
The Publisher's Note I read, left the impression that any similarities the fictional work may have to actual people, events or locations are coincidental.

In the inside of a book printed around 2003, by T. Morrison, the same one sentence message is reprinted...Authors and Publishers rights are reserved.

In a book printed around 2000, the publication states that the publication may not be:

- reproduced (no part)
- saved
  or
- sent
  (not electronically, not by photocopying, nor audio recordings or  scanning.)

Except as permitted under Section 107 or 108 of the States Copyright Act or, after having obtained permission, or by other authorized method of authorization.

A pamplet at one community college warns students and other readers to be cautious... although allowed to use the photocopying equipment, they should be careful of violating the authors copyright protected material.

Warning are helpful.

Although still in the dark, I am a bit better informed. The gothic literary Collection that shocked me when I read it's copyright restrictions,  does provide instructions for citing Gothic Literature.

The series seems to acknowledge students who quote directly from their publications and gives students a generic format for citation in the footnote section.

Although I don't know how to cite written work when posting a Blog, or what ri-printed criticism is, I feel better about my gothic literary experiences.


11-0-1-11




Sunday, April 1, 2012

Copyright Or Don't Copy At All

Is it my imagination, or has copyright restrictions gotten stricter?

At my local community college, while browsing around the Gothic Literature books, I discovered information that gave me a shock!


Technically, I was not allowed to make photocopies of the material from the Gothic Literature books.

Paraphrasing from a similar copyright section, found in the beginning of a book

...No part of this publication may be reproduced, saved in a retrieval system, or transmitted in any form or through any means, whether electronic, mechanical, or by photocopying, audio recording or scanning, except as permitted under sections 107 or 108 of the 1976 United States Copyright Act...


This is shocking! Am I allowed to quote from the Gothic Literature books, a multi-volume set found in the Reference section of the library, at the community college?

Uninformed students (or older book-readers) may believe they have the natural rights, when gathering information, to photocopy book pages if photocopying will help them organize their notes for research or "academic" papers.

These consideration being put temporarily aside, I hope to answer my questions in this blog.

* Are the copyright restrictions more ri-strictive now, and if so, are there reasonable reasons for greater restrictions?

* What does Section 107 and Section 108 of the United States Copyright Act say?

* Are greater copyright restrictions a response to changing technology and Internet piracy?


Is the underlying message (sent by book and film makers and publishers) : Don't copy at all.


Authors note:
This Blog Article can be read at blogger.com under 'The Vamp Challenge'.
Feel free to respond (comment in the comment section).
Do not copy this article, unless you properly attribute your sources.
Individual research can be attributed to oneself.



Saturday, September 17, 2011

Blue An-Jay writes Armand

[A Sunny Day]

2010 Dear Armand,

I am writing you because I had an idea. I wrote a letter to Lucifer, the "fallen rebel archangel," whom some people call the Devil. In the Dictionary, it says that Lucifer is the morning star, from the Latin root Lucifer,meaning "light bearing". Under 'Devil', the Dictionary reads: The planet Venus, when appearing as the morning star. I wrote to her! Yes, I connected Venus, the Roman goddess of love and beauty, (also called Aprodite, her Greek name), with Lucifer, the morning star. I know Armand, I've never been off this planet, except when I was in an airplane. I've only looked up to the heavens on clear days and clear nights -- still, I like the spirit of myths. I like personifying the morning star as if the stars were a beautiful woman...touching my life line...inspiring my life and dreams. Lucifer could be a female, a 'star' player in the heavenly game, a rebel angel. A symbol of love and beauty... Attraction? Do you like this idea Armand, my dark vampire friend? I also looked up Satan (sounds like Say-tan), which seems to have a Hebrew orgin. Is the color tan associated with light? Surely not Sunlight.

Anyway, I sent my letter up, via, balloon.
Nibbles and Bites!
~Blue An-Jay





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A Letter To Armand (2) by Blue An-Jay is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.








Wednesday, February 16, 2011

Blue An-Jay writes a Letter to Lucifer

Dearest Lucifer,

I'm sending you this letter the only way I know how. I 'm told you are the most beautiful one, and I am guided by your love of freedom and form.

I ponder the language I hear, words and their meanings...

Are there black Angels where you are?

In the dictionary, the work black is defined as "soiled, dirty; thoroughly evil: wicked; expressive of condemnation or discredit; invoking the supernatural and esp. the "devil." More definitions follow, "Gloomy, Calamitious: marked by the occurence of disaster, Sullen, Hostile."

When I look up into the night ski, black looks like a beautiful man, with stars in his eyes. I come from a family of "black" dark-skinned people. People I may not see in the dark, like my white tea candles, I can't see, in a black room...without light.

I've heard there were White Angels.

Are they clear? As in "free from color?"

In the dictionary, the word "white" is defined as: "marked by upright fairness; free from spot or blemish: free from moral impunity; innocent; Favorable, Fortunate, or passionate (~ fury...I think of white fire...like lightning).

Nothing like the white people I've met on this planet, the tan, pink or snow colored people with their multi-colored hair, and eyes [ Excluding the innocence, found in children].

I know I've seen rainbow reflections from Sunlight...and sometimes on clouds.

If this letter can not reach you, I will continue to cherish freedom, form and beauty especially when I watch the free birds, playing in the ski.

Love, Blue An-Jay.


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A Letter to Lucifer by Blue An-Jay is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

Saturday, January 9, 2010

Dancing Near The Fire: Chapter Four

This final poem, part of a gothic poem collection, is under copyright protection by the author.

Dancing Near the Fire: Part Four

Anais walked in, bringing the cold winds behind her.
She picked the wrong night to visit the Ratt.
I was feeling human.
I was lulled by the presence of men, enchanted by Juliet’s sea green eyes,
black coffee, her soft warm hand, and the faint sound of many heartbeats.
Not that Anais didn’t have a heartbeat, who knew what magic animated beautiful Anais,
she just didn’t have a heart.
She was dressed in ceremonial robes. Murex purple, her favorite color.
She was hunting.


“Armand.” she greeted me sweetly, my name rolling lightly on her tongue.
“Anais.” I said coldly.
“Sweetie, I was looking for you.” She purred. “I thought I’d find you in this…dump. Why you keep company with this crowd, I’ll never know.” Anais’ head tilted. “I don’t believe I’ve met your little friend.” She smiled sweetly in Juliet’s direction.
Next to Anais’ tall frame, Juliet was little.
I kept silent.
“I’m Juliet Wallace.” Juliet said with a wide smile.
“Juliet, such a romantic name, it fits you well. You may call me Anais.”
“Anais. Nice to meet you. You have a beautiful name too. Are you named after Anais Nin?” Juliet asked.
“No, she is named after me.” Anais laughed, tossing back her black curls.


Anais invited herself to our table. She sat next to Juliet. Her scarlet fingernails scrapped across the table top. She smelled like Daphne blossoms.
“So, tell me, how do you know Armand?” Anais asked.
Juliet blushed. “We meet earlier in the woods.”
“Really.” Anais’ eyebrows shot up.
Anais glanced at me, a question in her eyes.
“Do little girls like you often play alone in the woods?”
“I’m not a little girl” Juliet said firmly, “In fact, I think we’re the same age. You can’t be more than twenty-five.”
“Close.” Anais lied. “So were you alone?”
“Anais” I said softly, giving fair warning.
“You have to admit, this is a strange tale.” She replied.
“This night has been more than strange.” Juliet said, “But oddly enough, it feels…right.”
“Sweet.” A small smile played on Anais’ face.


“How do you know Armand?” Juliet asked Anais.
“Armand is like my brother. We are a lot alike.”
“We’re also very different.” I said, remembering Anais’ little cruelties.
“We are more alike than you think.” She said softly. “ I met Armand in the university. In those days, he had an interest in Science…”


I sat back, wary but relaxing. I half-listened.
Anais’ tale was half-true.
My life could have been different, had I not met her.
While Anais talked, a song came on the jukebox.
A country song.
A remake of a song forty years old.
Different singer, same tune.
It was a song about a girl’s first love.
It was the song that played when I killed for the first time.


I still remember the hunger. The pain in my stomach felt like being stabbed by broken glass. It was a pain I will never forget.
I was sick. I was nauseated and weak
I hadn’t eaten in two weeks.
Not that I didn’t try to eat. I wanted food, but was repulsed by it’s rancid smell. My body rejected everything I ate anyway, except water, I could keep water down.
I thought I was going to starve.
I wasn’t ready to die.
I was mad with fear. I must have looked mad. I looked in the bathroom mirror expecting to see my emaciated face, see dark circles under my eyes, but instead I couldn’t see myself.
The empty air wore my clothes.
I thought I was disappearing, I thought I was a dream, that my life was a dream, but I felt real, and I smelled real, like vomit and sweat.
The blisters on my skin were real, deep sores that appeared in the sunlight.
I was hungry, I was weak, and I was afraid to leave my apartment.
I think I would have died alone. But one night, as I rambled to myself in a rage, I accidentally bit the inside of my cheek, tasting my own blood.
It was sweet and salty, full of beauty and life.
It filled me with joy, my darkest fear had come true.


Two days later I was creeping in the trailer park.
I felt like a hungry ghost, disappearing, but still hungry.
I wanted to live, not waste away to dust.
I needed to know, was I a monster?
Did I need blood?
The trailer park laid on the edge of town.
There was a full moon that night, not that I needed the moon’s light.
My eye-sight had sharpened.
I could see shapes in the shadows.
I chose the trailer closest to the woods.
I planned on breaking the door’s lock, but when I got to the trailer, I was afraid.
All I could do was look through the open blinds.
A light was left on above the stove in the kitchen.
I made out a woman asleep on a sagging brown sofa.
A half-finished bottle of beer sat near her on the table.
I heard music through the trailer’s thin walls.
She had left the radio on.
A soprano sang about falling in love for the first time.
I stood outside, a statue.
I could hear every note, every beat, I listened to every word.
When the song ended, I walked to the door.
I turned the knob, it was open.

Inside smelled like rotting trash and beer.
I was hungry, yet I was also afraid.
There was no turning back.
I stood over the sleeping woman.
She had silver in her hair.
Her face was lightly covered in freckles.
She had crow’s feet around her closed eyes.
To me, she was beautiful.
For a second, I heard the song replayed in my head, then it was gone, replaced by the pains in my stomach.
In a flash, I gripped her head, burying my teeth deep into her neck.
I think I hit her Jugular vein. I felt warm blood trickle down my mouth.
I drank. She struggled.
I drank until she stopped struggling.
I could have stayed there, my mouth pressed to her neck, but something strong in me pulled me away.
Blood covered everything.
I ran from the trailer, losing myself deep in the woods.


I think I killed her.
That act of violence was more sickening to me, than my two weeks of vomiting.
As I ran, I felt my strength return.
I felt euphoric. I had energy, and my mind became sharp and clear.
I ran like a tiger, leaping over rocks and broken branches.
Inside, I felt savage, like an animal.
I had killed.
When I stopped running, I was no longer afraid.
I could face myself.
Was I a monster? Or was I acting like one?
In the moonlight, I saw dried blood under my fingernails.
Under that full moon, I made a vow: I would never kill another human being. Not for their blood.
I would not be a taker in this world.
Somehow, I would be a giver.


The song had ended.
Juliet and Anais were staring at me.
The conversation had stopped.
“More coffee ladies? I asked, looking suddenly attentive.
“Yeah, one for the road. Can I get mine to go?” Juliet said.
“Yeah, I have to get going as well. Can you give me a ride?” Anais asked
“Sure, no problem.” I said.
I signaled to the waitress, and took out my wallet.
I left a crumpled five dollar bill on the table.
I always tip.
I left the Ratt with two beauties following me into the fading night.